The versatile creator talks about the ending to his latest Webtoons series, how it fits into the broader New Brookyln saga, his theater work and more.
READ THE ENTIRE INTERVIEW HERE: http://smashpages.net/2021/03/24/smash-pages-qa-dean-haspiel-on-the-red-hook-blackout/
"I’ve been living in my building for 24 years. When I was the new guy, the older generation that lived there welcomed me and brought me homemade food, and as the older generation died off, the new people don’t even look up from their phone to say hello."
"I live in Carroll Gardens, which used to be part of Red Hook. In the last decade or so, it’s drawn more artists. It’s hard to get to Red Hook. There’s no train. So once you get to Sunny’s, you had to make an effort to get there. I would go to Sunny’s and every Saturday night they had bluegrass music in the back room. I don’t like bluegrass, and I’m not religious, but I got back then and it felt like God, and it put me at peace and at ease. I would go to the back room with a rocks glass of whiskey and just listen.
The weirdest people would show up there. You’d be talking to Marissa Tomei while watching bluegrass. Norah Jones would show up to try out some songs. Michael Shannon lives around the corner and I’m sitting at the bar with him talking about Zod. I just named some famous people but all kinds of people go there. It’s just where people congregate. I wrote about a version of Sunny’s in my play The Last Bar at the End of the World. That’s how I feel about Sunny’s."
"I was thinking, “What kind of a job would a superhero have?” I decided he becomes a bartender at Sunny’s. That way he can commune with people and talk to them about their problems. He can hang out with a former bad guy or current bad guy. Those are comics stories I really want to do. After I do the cosmic stories, I’m hoping I can go from a superhero comic to a something that feels like a memoir. He takes off the mask and is just a guy. It’s not like Harvey Pekar, but what if Harvey Pekar used to be Spider-Man? I think that’s an interesting space. The greatest thing Marvel Comics ever did was to put Peter Parker in Queens, the Baxter Building in Midtown, and put them in real places. That felt real. And you would look out your window and go, “Is that Spider-Man?” I know its cliche to say that, but it’s so true at the same time."
"If I’m lucky I’ll wrap up the New Brooklyn saga and then try to publish it as an omnibus. My working title is “Once Upon a Time in Brooklyn.”