Haspiel says he’s “never ignored the potential of what Brooklyn can do,” and that was certainly how it played out according to Kelly. He says the crossover was Haspiel’s idea, formed when Kelly and Hobson visited his Gowanus studio. “We were talking with Dean about his New Brooklyn universe,” Kelly says, “and he just kind of threw out, ‘Oh, you know what? We should do a crossover.’ And then he looked at Brett and said, ‘And he should draw it.'” Kelly didn’t hesitate, and says he and Haspiel began talking storylines immediately .”We met for Indian food one day, and he told me he wanted three things: Coney Island, to burn the patriarchy, and go-karts.”
Though the pair ending up nixing the go-karts, Kelly’s work with Haspiel was hands on. “We passed notes back and forth every step of the way,” Kelly remembers. “One thing I like about Dean is that he likes to talk on the phone, which makes things a lot smoother.” He also points to their understanding of each other’s characters and worlds as a factor in making their collaboration a successful one.
For Haspiel, it was “the challenge of clashing and mashing sensibilities” that lured him to work with Kelly. “We have different approaches to storytelling and character motivations and how to pace a scene. I think it was a good learning experience.” It was easier, he told The Beat, to let Kelly take the lead on co-writing due to his ongoing work on both The Red Hook season 3 and Starcross, his latest series for Webtoon.
Luckily for Kelly, Haspiel says he enjoyed Kelly’s take on some of The Red Hook’s dialogue, and claims he made him “funnier than I’m used to.” Haspiel saw Kelly’s approach in general to be “more light-hearted” in contrast to what he calls his “sentimental absurdity,” and sees the crime/horror genre as the guiding thread that connected their work on the one-shot"
“The Untold Legend of Luna” puts Haspiel’s character under the pen of Hobson. How did Haspiel feel about another artist interpreting his character? He says that though there have been “a few interpretations” from other artists of The Red Hook in the New Brooklyn comics at this point, “it always feels a little weird but cool.” In terms of Hobson’s line art specifically, Haspiel is effusive. “Frankly, it’s an honor,” he says. “Brett Hobson has a unique way of rendering, somewhat akin to Baker Street & B.P.R.D. artist Guy Davis, only with more cross-hatching.”
Haspiel says he reviewed the layouts Hobson drew, but was less hands-on than with his co-writing duties, careful to avoid micro-managing the process. The only strong note he passed along was the need to animate The Red Hook’s ears. “When you only have rectangle cut outs on a red mask to show when you’re beleaguered or surprised,” Haspiel says, “it’s helpful for the ears to evoke other emotions."
Read the entire article/interview here: https://www.comicsbeat.com/tales-of-the-night-watchman-nationwide-with-diamond/